Saturday, October 12, 2019
Symbols and Symbolism - A Comparison of Nicknames in A Dolls House and Major Barbara :: comparison compare contrast essays
Symbolism of Nicknames in A Doll's House and Major Barbara     Ã     The use of nicknames in literature is an important tool in which the author  can provide insight into the attitudes of the characters toward each other and  to provide illumination as to the nature of specific characters. Two such pieces  of literature in which these attitudes and illumination can be evidenced are A  Doll's House by Henrik Ibsen and Major Barbara by Bernard Shaw. The attitudes of  the characters in A Doll's House, more specifically Torvald Helmer and the maid  Anne-Marie, toward Nora can be evidenced with the names by which she is  referred. In Major Barbara, the names by which the characters call each other  not only show their personal attitudes toward each other, but also provide  classical reference by which we can better understand the characters.     Ã       In A Doll's House, Torvald Helmer's attitude toward his wife Nora can be seen  in the ways in which he refers to her. In line 11 of the first act, we come  across the first instance of Torvald's bird references to Nora with "Is that my  little lark twittering out there?" This reference is the first of many in which  Torvald refers to Nora as a lark. Often this referencing is preceded by  diminutive terms such as "little" and "sweet, little." Torvald also refers to  Nora as a squirrel, a spendthrift, a songbird, and a goose, these terms also  preceded with a diminutive. The significance of this nicknaming is to show  Torvald's attitude toward Nora. Torvald sees Nora as small, sweet, unobtrusive  and therefore easily controlled. This position is one he would like Nora to  continue to occupy. In line 257, Torvald refers to Nora as "my richest treasure"  denoting his attitude toward her as his possession.     Ã       Nora's nurse, and the nurse of her children as well, Anne-Marie, shows her  attitude of Nora as well. In the beginning of the second act, we find Nora in a  conversation with Anne-Marie in which Anne-Marie refers to Nora as "Miss Nora,"  "little Nora," and "poor little Nora." It seems to everyone that Nora not only  acts as a child, but is seen as one as well. It is here we realize it is not  only the man being overbearing and keeping the woman in what he sees as her  rightful position, but the maid also contributes to the indoctrination.  					    
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